All reviews written by Lizzy Treacy unless stated otherwise.
1984 (12+)
Pleasance
War is peace; Freedom is slavery; Ignorance is strength; Big brother is watching you.
This is the first time that we’ve seen Box Tale Soup and definitely won’t be the last. A brilliantly put together show with puppetry and props made from recycable sustainable material, it was an hour of mesmerising storytelling.
George Orwell’s distopian tale is retold on stage by the three strong cast giving a stellar performance.
It’s given us lots of food for thought (when it’s not a crime!), with themes of control/dissemination of information and use of language, especially in the current geopolitical climate, being more relevant than ever.
The show gives a 12+ age guidance but we’d recommend for older children and adults. There are potentially triggering themes including references to incarceration and torture.
Our mini reviewer said: “Not quite the same as Big Brother House but now that I have seen the show, I really want to read Orwell’s 1984!”
It’s a ‘double-good-plus-plus’ from us.
(Written by Kieren Geaney)
Pleasance
This high-energy original musical had us grinning from start to finish, with irresistibly catchy songs, a brilliantly talented cast, and humour for both kids and adults.
The story centres on the 1991 tribunal to decide, once and for all, whether the Jaffa Cake is a cake or a biscuit- a question that, bizarrely, inspires fierce opinions across the country. A cast of just seven seamlessly transform into a host of characters while also providing live music. A special shout-out to Alex Prescott, who anchored the production – covering keyboard, vocals and donning the judge’s wig!
The show strikes a perfect balance of engaging, hilarious, and gloriously silly, with a cleverly minimal set design tied together by flashes of Jaffa-orange.
So… are you #TeamBiscuit or #TeamCake?
Our mini-reviewers said : ‘It was hilarious, highlight of my day..I didn’t expect it to be a musical and it was ALL good.’ ‘The lady who did the splits was the best.’
(Written by Sophie Hug)
A Silent Disco Dance Tour by Silent Adventures
Meadows – Uplands Roast
A group of our (not so) mini-reviewers were lucky enough to experience the super fun, totally immersive silent disco dance tour and they all had a blast !
Perfect for all ages, this silent disco tour is a fantastic way to explore (and dance) your way round some of the different festival areas surrounding George Square. The Silent Adventures team are masters at breaking down inhibitions and spreading their infectious joy. From the moment the headphones go on, any shyness melts away thanks to a playful warm-up, easy-to-follow dance moves, and spontaneous mini flash mobs. With a varied setlist that catered for everyone, it felt super inclusive…some highlights included Abba classics, Taylor Swift anthems and a highly rated Chappell Roan remix !
Very quickly it feels less like a tour and more like you’re part of one big, happy family, singing and dancing together in a bubble of matching headphone fun ! A joyful, unforgettable experience that proves dancing together is the fastest way to make friends…
Our mini-reviewers said : ‘..the runway action was the best..I loved doing that !’ ‘..I really loved the sweet caroline finale..’
Scottish storytelling Centre
Beautiful, sensory and full of feeling. This sincere and thoughtful show explores society’s relationship with the wolf through three different stories from across the world.
Featuring storyteller Dougie Mackay and singer/puppeteer Jemina Thewes the show is made up of storytelling, shadow puppetry and music – with a range of instrumentation from djembe to thumb piano and rainstick. Beautiful and whimsical it is peppered with little surprises throughout. Subtle and understated techniques are used for maximum effect and innovative use of what is possible with shadow puppetry and even a touch of theatre at times.
Though not specifically stated as a kids show, it is suitable for 8+ children and was dynamic enough to keep my 9 year old well engaged throughout. Any older child who enjoys a good story (and especially if they like wolves) will enjoy.
(Written by Katch Holmes)
All Fired Up: an 80’s Mixtape Musical
Assembly
What a fantastic way to brighten our afternoon : this show is packed with things we love: neon, 80s music, dancing, joy and connection..
We meet Tammy, whose life is in a bit of a spin: possibly perimenopausal, definitely overwhelmed, and struggling to find her spark. But when a dusty old mixtape, her vibrant daughter, and the power of 80s nostalgia collide, Tammy is reminded of everything she once loved, and why dancing like nobody’s watching is sometimes the best therapy. Real life mother and daughter duo are outstanding in this show, which surprised us with its heart, warmth and infectious energy. A little audience participation may be required, and you can choose to invest in this as much or as little as you want ! The live band and DJ Neon were a highlight, making this extra immersive and vibrant !
Watching this with my own daughter, knowing that music is one of our shared passions, only made this colourful production more enjoyable… find somebody you wanna dance with and head along — you won’t regret it!
Our mini-reviewer said : ‘I really liked how you they involved the audience at the beginning as it got you pumped for the show, and I liked the music choice too.’
Black Blues Brothers: Let’s Twist Again!
Underbelly
The Black Blues Brothers are back ! With their trademark shades, sharp suits, and effortless charisma, the five-strong troupe deliver a whirlwind of acrobatics, comedy, and Motown-fuelled fun.
Set in a train station, with smoke billowing across the stage, the performers play a jukebox full of Motown hits to accompany their various skilled routines. They balance on stacked chairs, fly through various hoops, do extreme limbo and perform a dramatic skipping rope routine which is a particular standout for us. Their strength, flexibility and control is immensely impressive, and all done with huge smiles on their faces. A loose storyline of one performer repeatedly calling a girlfriend on the payphone before he catches the train ties the show together and allows for some audience interaction along the way but slows momentum.
Let’s Twist Again is slick, dynamic, and light hearted.
Our mini-reviewers said : ‘It was amazing… the acrobatics were incredible ‘ ‘The skipping bit was the best, when they were jumping on their bum..’
Pleasance
Wowsers! Blaze FM delivers a truly immersive hour of theatre, bringing the audience straight into the heart of the pirate radio station and political tensions that ripple through the community…
From the moment the show begins, you’re part of the action :surrounded by music, storytelling, and the natural energy of Blaze FM’s world. It’s a powerful exploration of community, resilience, and solidarity, tackling weighty issues such as policing, deportation, and housing insecurity.
Best suited for older children and teens who can engage with these complex themes, and perhaps have a keener ear for some of the language and slang used, the production is underscored by a dynamic soundtrack of drill, grime, and jungle. The cast’s talent is exceptional , reflecting the impressive and collaborative ethos of The Big House organisation. At times it felt like we were genuinely intruding on someone’s grief…
While the show occasionally feels overloaded with the number of social topics it tries to address, the impact remains strong. With tighter focus, it could have delivered deeper insight but, Blaze FM is a bold, compelling and high-energy experience that speaks powerfully.
Our mini-reviewers said : ‘The music was the best bit, they were all super talented..’
‘I liked how the story followed the family over time, it was a bit sad, but hopeful at the same time I thought.’
PearTree
30 minutes of joy for babies, toddlers and their adults.
Kat Grey begins the show by explaining how, in 2017 when she became a mum she was all ready to explore the Fringe (in this case the Adelaide Fringe, the second biggest in the world, and Kat’s home town) with her 8 month old, and there was nothing for them. This is the show she created for them, and all the other little ones to come. And though the baby theatre landscape is a bit less barren now, we still really appreciate that she did!
Bubba-licious features lots of time-honoured baby songs and rhymes, plus great colourful props, shadow puppetry, a human sized teddy bear and, of course, bubbles. It’s lots of fun and Boyo (8 months) was captivated throughout.
Kat is clearly dedicated to what she does, and it’s lovely to see her work with her partner, who helps with props and tech. The vibe is warm, relaxed and inclusive, with added rainbows.
Bubba-licious is also the only baby show I’m seeing this year that is part of the free Fringe. Huge shout out for this, I think it’s really incredibly important that these kinds of experiences are accessible to all little people, and the Pay What You Feel approach helps make that happen.
(Written by Debs Hahn)
Underbelly
A spellbinding hour of ten bodies twisting, flipping, contorting, gliding, tumbling, and balancing in the most mesmerising ways…
From the first beat, the pulsing soundtrack becomes the heartbeat of the performance, perfectly syncing with the movement unfolding on stage. The ten-strong ensemble works as one fluid organism, sometimes moving in perfect unison, sometimes breaking away into moments of solo brilliance. When all ten are on stage at once, it’s impossible to know where to look as you don’t want to miss anything. Highlights include sequences where the performers physically push each other apart, slide and squeeze into impossibly tight spaces, and then burst free with strength, grace, and precision. The choreography is seamless, the creativity boundless, and the sheer physical intensity phenomenal. Not a second feels wasted; the audience barely has a chance to catch their breath. Our mini-reviewer loved seeing every cast member both lift and be lifted — no gendered roles, just equality in strength and trust.
Circa’s artistry lies not just in what they achieve physically, but in how effortlessly they make it look. A spectacular, jaw-dropping showcase of human capability that leaves you awestruck.
Our mini-reviewer said : ‘Expressive, intense and amazing. With every move my heart dropped, but in a good way !’
Lifecare Centre
Dragon Babies feels like the well-made play of the baby theatre world !
Here’s the thing about Dragon Babies; it’s really good. Dragon Song Productions have baby shows down. We follow kipper as she meets all the sea creatures who give her the colours of the rainbow to bring the coral reef back to life. The puppets are big and colourful and excellent, each baby gets a bag of age-appropriate props to play along with during the show, the performances are accomplished and there’s a really cool parachute with lots of dangly rainbow sparkly bits you get to hang out under and a rainbow light up butterfly cape. I think it’s probably good for baby development too, helping the older ones learn colours and numbers.
Despite all this, it left me personally a little cold. Although the show is interactive in as much as the performers come into the audience, it doesn’t feel like a genuine encounter: there’s no deviation from the script. I felt like the tone was set within the opening housekeeping speech, when we’re told not to let the babies play with the scratchy sounding props before they tell us its because “the noise is really annoying”. I know it’s a joke; but it’s also slightly bad vibes. Dragon Babies was a well-oiled machine (complete with picture ops and merch table post show) but I want a little more love and a little more chaos from a fringe show. Perhaps that’s what having a baby is all about.
If you’re looking for an entertaining, polished show to take your little person to, I would absolutely recommend. And undeniably, Boyo (now very nearly 8 months) loved it!
Assembly
If you are looking for a super fun show bursting with silliness, fire and explosions, all sprinkled with some science education thrown in for good measure, then this is the show for you!
Join Magnus on his delightfully chaotic science adventure, where safety precautions are not his strong point, but it’s up to you to remind him to be safe. My 7-year-old loved this show and mad scientist Magnus has boundless energy to keep children of all ages engaged throughout. The show strikes a perfect balance between entertainment and education, with just enough physics and chemistry to spark curiosity, but never so much that the fun slows down. My wee boy couldn’t wait to tell his dad the new facts he’d learned. As an adult, I really enjoyed this show too, which is always a bonus when you are at a kids performance! It’s worth mentioning that I had my 1-year-old along with me as well, and at times she too was quite mesmerised by the mad scientist’s boundless energy, but then needed to be supplied with many snacks to stick it out. The show has an age suitability of 3+ and while I think younger kids would enjoy the silliness (Magnus is a natural children’s entertainer), I would probably say it is more like 6 or 7+ for them to really stay engaged in the whole show. There is some audience participation but only for kids that really want to.
Overall, my boy loved this, and at one point he was laughing so hard he snorted – the best compliment a 7-year old can give! This would be a top pick from me for kids over 6 who love science!
Note: For ND kids, headphones might help , it can get a little loud or over stimulating at times.
My mini reviewer said “I loved when the puffy smoke wouldn’t stop puffing, and when Magnus set himself on fire”
(Written by Emma May)
Underbelly
Five mesmerising performers guide us through a graceful, gently humorous hour of acrobatics and understated spectacle. This is not the high-octane show some may expect from Flip Fabrique; instead, it’s a more reflective and artistic offering, with space for the audience to observe, and interpret.
Set in a surreal, shifting building that seems almost alive, the performers explore themes of connection, creation, and imagination. The loose narrative, centred on characters writing stories, or memories even is perhaps deliberately vague enough to invite each viewer to find their own meaning in the piece. Moments of individual skill shine throughout: elegant juggling, hypnotic cyr wheel work, fluid acrobatics, and expressive hula hooping. A standout giant trampoline sequence brings a burst of energy, somehow delivered effortlessly !
While the slower pace may not hold the attention of younger children throughout, this is a beautiful example of physical theatre — poetic, visually rich, and quietly captivating. It’s a show that leaves you feeling gently uplifted and a little spellbound.
Our mini-reviewer said : ‘I loved the trampoline section, that looked SO much fun and was amazing how smooth it was….I also liked the hula-hooping’
Assembly
Excellent vibes in the baby garden at Hello Birds.
Me and Boyo (7.5 months) braved the storm and it was a great day to spend time in the beautiful indoor garden that Jasmine Cole Productions have created with Hello Birds, complete with handmade rattly mushrooms, crinkly leaves, squeaky flowers and shiny pond with blue shower puff water.
The babies loved exploring the space and being introduced to the variety of bird puppets visiting the garden. The space was pretty packed with babies, which in itself wasn’t a problem -babies love babies!- but it did mean that the format of showing the birds around everyone took quite a while, which slowed the pace down and interrupted the flow of attention a little. Also, I would say it’s more suitable for stationary or crawling babies than walkers, who might find the space a little small (and stomp on the wee ones!).
That said, I loved the inclusive vibe of the show, which was audio described and signed, and Bran and Tor felt like the kind of people you want to be friends with (well, the kind of people I want to be friends with!). A wholesome and heartwarming experience all round.
(Written by Debs Hahn)
Assembly
This is a show that leans more towards interpretive dance than traditional circus ; a gentle, expressive performance that blurs the line between movement and art. While it may not cater to all tastes, for those open to a more reflective experience, it offers something quietly captivating.
The duo combines slow, fluid partner dance movements with elegant rope work . Rather than soaring acrobatics or fast-paced stunts, expect graceful suspensions, flowing lifts, and carefully composed poses. Its a meditative and intimate take on aerial performance, with strong technical skill, smooth partner work and well-coordinated movements combined with evocative lighting and music.
Audiences seeking high-energy circus tricks may find the pace slower than expected, but those who appreciate contemporary dance and visual storytelling will likely find it entrancing.
This is a thoughtfully crafted piece that speaks to a specific audience. It’s aimed at people who enjoy contemporary dance and subtle, more contemplative performances rather than spectacle. For viewers willing to embrace its quiet power, it’s a beautifully executed and contemplative experience.
Our mini reviewer said: ‘This was beautiful, but a bit slow for me..it did make hanging upside down for 40 minutes look easy though and the trust and teamwork between them was impressive ! ‘
(Written by Kieren Geaney)
Lady Macbeth Played Wing Defence
Assembly
Shakespeare has never looked so good in hot pink. This bold, ambitious reimagining of Macbeth swaps battlefields for netball courts, turning ambition, rivalry, and power into a high-energy teenage showdown.
Set against the backdrop of a fiercely competitive school netball team, we follow the determined Mac Beth in her quest to become captain of the Year 11 team as they face the finals and their rivals, the Birnam Owls. With sharp humour, original songs, and slick choreography, this musical brings Shakespeare’s themes to life in a way that’s fresh, funny, and accessible.
The talented eight-strong cast powers through the narrative blending modern dialogue with iconic Shakespearean quotes for clever effect. While the central messages of friendship, empowerment, and leadership shine through, the emotional impact could land with more weight , though the energy doesn’t dip.
The original songs are catchy (I caught myself humming them well after the show finished), and it’s great to see every cast member have their moment in the spotlight, the Dagger Divas being particularly impressive.
Perfect for netball fans, theatre lovers, and teens new to Shakespeare, this is a winning combination : clever and playful.
Our mini-reviewer said : ‘I loved it, it was fun and insane and Claire with the Hair was brilliant, I loved that part…’
Scottish Storytelling Centre
Macbeth for Bairns pulls out all the stops for an action-packed playful, sensory retelling of the Scottish Play for little ones.
Performer Brooke Dunbar took the time to learn the names of all of the little ones coming to see Macbeth for Bairns, which was an excellent start. She has a great set up with lots and lots of sensory props to help her tell the story, which she has cleverly adapted to keep the essence of Shakespeare without going too deep into the scary bits (war, death, blood, ghosts etc.) There’s mushroom hats to go in the witches potion, light up crystal balls, squishy tomatoes to feast on, fluffy owls, a fairy light ghost, shiny crowns for everyone and much, much more !
The show also pulls the adults into the storytelling, assuming roles by reading lines cleverly written onto props and dressing up as the trees of Birnam Wood.
The atmosphere was relaxed and the show very much interactive, which was great for engaging audience of all ages. Boyo was (as ever) the littlest at 8 months, and he loved the sensory elements and munching on the props, the biggest was 5 and they were more engaged in the story as well as being encouraged to help out. I really appreciated the effort made to make a baby show that told a grown-up story as well.
Extra kudos to Brooke for adapting to her audience and speedily editing out a crow puppet when one of the kids found it too scary- toddlers are a tough crowd!
(Written by Debs Hahn )
Underbelly
We adored this show, a whirlwind of hectic, joyful chaos, wonderfully harnessed and crafted by the immensely talented Mario, so that each and every moment delivered a joke, positive affirmation or best of all, his unique magic !
It’s a rare skill to keep both children and adults fully entertained, but Mario does it effortlessly, engaging the whole audience and especially delighting the young volunteers who joined him on stage. It’s a blink and you’ll miss it show, with a blur of things flying through the air, slapstick comedy, vanishing and reappearing shoelaces, mischievous magic robots; all crammed in alongside the more traditional sleight of hand illusions and card tricks that you would expect from a magic show. But the real magic isn’t just in the tricks; it’s in the heart….woven amongst the chaos we were treated to positive affirmations, love, encouragement and a little bit of learning, making the show as uplifting as it is hilarious.
With a finale which left the entire tent utterly bewildered…Mario’s passion and energy is infectious; I defy anyone to walk out of the tent without a huge smile on their face (and a red nose to boot !). Part magician, part clown, part chaos conductor, this is an hour of unstoppable fun..
Our mini-reviewers said : ‘I liked the part when the robot kept knocking the ball off the table..’ ‘I liked it when the red noses wouldn’t disappear and there kept being more and more of them…that was really funny..’
Underbelly
An hour of pure, unbridled joy. If you’ve ever dreamed of belting out your favourite show tunes in a theatre packed with fellow musical fans, this is your singalong moment…
Even the adults in our group, still hoarse from the late-night Massaoke 90s, couldn’t resist singing along to every word again this afternoon. Backed by a live band brimming with energy and cleverly costumed to represent different musicals, the audience becomes the star of the show. With lyrics projected karaoke-style and a setlist that spans the generations, there’s something for everyone. The setlist is a joyous mix of iconic classics and modern hits; younger audience members seemed to enjoy the Disney selections best, but Abba and Hamilton got a huge reception too ! I was particularly delighted they included a firm favourite of mine from Bugsy Malone ! There’s just enough interaction, optional dancing and good banter to keep things flowing for a lunchtime performance….
Best of all, everyone is welcome at Massaoke, you don’t need a great voice, just enthusiasm and a willingness to sing your heart out. If you love musicals, or perhaps even just love communal singing and the joy it delivers, then this is for you. By the closing notes, you’ll be hoarse, happy, and part of one giant, joy-filled musical theatre family.
Our mini reviewers said : ‘I loved the Hamilton bit…‘ ‘I liked Bare Necessities’
Assembly
Cabaret for babies in the Spiegel Tent at 10am- what more could a mum want?!
I have to come clean on a few things in this review. The first one is, I was a bit dubious about Monski Mouse before seeing the show – it sounded like it was going to be a bit hectic. Pleasingly, I was totally wrong on that, Monski and the gang put on a really lovely gentle cabaret, with a mix of classic nursery rhymes and grown-up songs with props pulled into action, all with live guitar accompaniment. The bigger little ones (and grown ups!) loved singing and dancing along, and the littler little I think liked the atmosphere: colours, mirrors, lights, sequins, disco ball etc.
The second thing I have to admit is… Boyo (8 months) fell asleep 25 minutes in. Now, I don’t blame Monski for this- Boyo is a bit improvisational jazz with his nap times so it was bound to happen at some point. If anything, it’s a good sign that the show was gentle enough for him to peacefully doze off to, as opposed to getting upset. Also, instead of leaving when he went, I retreated – sleeping boyo in arms- to a velvet booth, and genuinely enjoyed the rest of the show!
A nice morning out- apart from the dead arm!
(Written by Debs Hahn)
Assembly
Out of the Blue clearly have a loyal fan following, and it’s easy to see why. They are massively talented, with standout solos from a number of individual performers and a beat boxer in the mix too !!
Over the course of an hour, they served up a rich mix of songs, blending tight choreography with warm, infectious charm. While this year’s playlist leaned a little less toward younger audience appeal than last year’s, the brilliant Frozen medley was much loved by our mini-reviewers. The show opened with a powerhouse Living on a Prayer that set expectations high, though the momentum eased slightly as it went on..but their captivating vocal range, harmonies and warmth never faltered. It’s easy to forget you are just listening to voices at times…and the beat boxing solo was incredible, such skills ! Tight choreography accompanies the melodies and a particular highlight of ours was to Just The Two Of Us, which got us giggling.
Best of all, they are raising money for Helen House Children’s Hospice, and the amount accumulated over the years is staggering…long may it continue. A true fringe favourite, and we will definitely be returning to be serenaded all over again !
Our mini-reviewers said : ‘It reminded me of the treble makers from Pitch Perfect, but not as mean ! The frozen medley was my favourite’ ‘The beatboxer was awesome..I want to be able to do that !’
Assembly
It’s hard to know where to begin with this chaotic, ingenious, high-energy and hilariously high-energy masterclass in comedy…
This is the third Police Cops show I’ve been lucky enough to see over the years, and I’d happily watch many more. Our (not so) mini reviewer was giggling from start to finish, and completely lost for words when trying to describe all of the best and funniest moments- this made me delightedly proud ! It’s a whirlwind of a police parody show, packing in all the cliches imaginable and bursting with a multitude of characters, props, costumes, punchlines and police chases ! Rookie officer Jimmy Johnson sets out to become ‘the best damn police cop ever’; what unfolds is brilliantly bonkers with stereotypical villains, car chases and some dramatic slow-motion scenes. At times, it’s impossible to tell what’s scripted and what’s improvised and this adds to the enjoyment, whilst the three beautifully moustachioed performers execute such sharp timing and wit, and seem to relish being on stage together as much as the entire audience clearly enjoyed watching them.
Gloriously ridiculous, endlessly inventive, and packed with joy. This bold and original show is deservedly selling out – get in quick or you’ll miss out !
Our mini-reviewer said : ‘It was obscenely hilarious..I liked the bit near the beginning when Jimmy Johnson was becoming a police cop…’
Shamilton! The Improvised Hip-Hop Musical
Shamilton is an entertaining improvised musical where the audience suggests a famous character, and the cast builds an entire show around them, completely on the spot. With a rotating lineup of comedic and musical talent, every performance is truly one-of-a-kind.
Our show featured Gollum from The Lord of the Rings, and while the title might suggest a Hamilton-style hip-hop musical, this performance leaned more into classic musical theatre , with big numbers, character-driven songs, and plenty of absurd plot twists.
Chris Grace and MC Hammersmith featured today and Zeke Nicholson anchored the cast with their quick wit and musical skills, seamlessly weaving the story together and keeping the Mordor-inspired madness flowing. The entire cast worked together seamlessly, using the audience’s laughter and applause as they built something clever, ridiculous, and genuinely impressive.
This was our second time seeing Shamilton (we’re also fans of their sister show Baby Wants Candy), and once again, it didn’t disappoint. Whether you’re a fan of improv, musicals, or just love a good laugh, Shamilton is a must-see at the Fringe.
Our mini-reviewer said : ‘LOVED this ! Super funny and as a Lords of the Rings fan, I was glad it was Gollum themed..I liked the singing and dancing too. Spoiler alert : – Come with some famous people in mind to suggest ! ‘
(Written by Kieren Geaney)
Sing, Sign and Sensory – On Safari
Gilded Balloon
The set-up for this show is undeniably exciting, with an inflatable dome filled with fluffy cloud pillows and projections that transform the walls into a moving canvas. On paper, it promises a magical, immersive experience, but in practice it didn’t quite reach its full potential.
The dome itself is very loud (think, bouncy castle) which in turn meant the accompanying music that was played in the show was very loud too. I don’t really mind loud things (Boyo, 8 months, doesn’t either) but it was somehow more jarring than joyful in this context. Lighting was also a bit of a challenge; aside from the projections and a disco ball so we couldn’t fully see the performer who was singing and signing, or the animal props they were showing round.
Boyo was due a nap, which probably didn’t help, but after a bit of dazzling at the animal projections on the ceiling he lost focus and got grizzly. Sadly that meant he wasn’t really up for the baby rave at the end either.
That said, the concept has lots of potential, would love to see more done in this brilliant space.
(Written by Debs Hahn)
Assembly Main Hall
Gravity and other myths once again astound us with a breath-taking display of skill, trust, and sheer human power.…
Eight phenomenal performers whisk us through a mesmerising hour of fluid physicality and acrobatics – stacking themselves sky high, leaping onto each others shoulders and literally swinging each other across the stage. Every moment crackles with risk and trust, yet what shines just as brightly is their joy in performing and the playful camaraderie between them all. A giant timer looms at the back of the stage, morphing from countdown clock to scoreboard, subtly threading tension and urgency into the narrative. All of the incredible acrobatics, strength and balancing are interspersed with comedic moments that enhance the playfulness of the show and between the cast members. Our mini-reviewer loved a perfectly executed warm up in a break dancing style including some iconic moves from the recent Olympics!..
Making these incredible feats seem effortless, this is an exhilarating, imaginative show, which we encourage everyone to go to, young and old alike…as soon as it finished, our mini-reviewer wanted to watch it all over again – one hour simply isn’t enough !
My mini reviewer said : “It was absolutely amazing – I like when everyone is standing on each others shoulders, and when they look like they’re falling, but they don’t – that’s pretty cool..”
Assembly
The box show is a rhythmic, percussive, musical show for kids, with a splash of slapstick comedy thrown in for good measure…
It took us a little while to adjust to the show’s self-invented language- a mix of sounds and nonsense words. While our mini-reviewers (particularly the Minions fans) embraced it, as an adult I personally found it somewhat patronising and a little undermining for the older children in the audience too. The environmental message could have been much stronger -the odd word of ‘recycling’ was thrown in, and the potential was clear to see, with junk and everyday objects being used as percussive instruments, but this could have been been executed in a simpler, more powerful manner. All this being said, the drumming and percussion was decent and imaginative at times, with a hang drum and water sequence being a highlight of ours. The slapstick antics drew plenty of laughs from the younger audience, and in a smaller, more immersive venue the interactive energy would have worked even better.
Overall, The Box Show has flashes of creativity and charm, but it felt like it missed a beat in delivery. A fun watch for little ones, with much giggling at the quirky foursome on stage, but we were left somewhat underwhelmed.
Our mini-reviewers said : ‘I liked them playing drums on their body, but it would have been better if they used words’ ‘I liked the bit with the drumming on bins in different colours..’
Underbelly
Step inside the magical dream land of the flying bubble show, where bubbles float, shimmer and transform…
Unlike many of the high energy and stimulating kids shows at the fringe, The Flying Bubble Show offers something gentler; a perfect option for children who may experience sensory overload or prefer a more soothing experience. It’s calm, visually enchanting, and quietly mesmerising. The performance takes its time to reveal the endless possibilities of bubbles: big bubbles, tiny bubbles, smoke bubbles, bubbles inside bubbles, and much more. The addition of the aerial flying element enhances the magic, and personally I enjoyed watching how Maxwell worked with his partner to move seamlessly around the stage in his harness, as much as I did the bubbles themselves.
My 7-year-old was transfixed throughout, despite it not having the same ‘high energy’ we experienced in most other shows. Sometimes, it’s enough to slow down, look closer, and be carried away by the quiet beauty of bubbles.
My mini reviewer said : “my favourite part was when Maxwell put baby bubbles inside a big bubble and then popped it so the babies could be free”
(Written by Emma May)
Assembly
Set inside the beautiful Palais du Variété venue in Assembly George square, this lively, interactive show has kids of all ages clapping along to the music and shouting out to the, often silly magicians who know exactly how to work a crowd.
Energetic ringmaster Magnus leads the fun, inviting his two magician friends to wow and entertain the young audience with illusions, magic and comedy. My wee boy loved the magic tricks, with many an exclamation of “How did they do that?!”. I would probably point out that, as an adult, the magic was quite obvious but for a show aimed at children it was perfectly pitched. My kids (1 and 7) were also delighted with the magic wands they were given once they took their seats, which they got to use during the show and were able to take home afterwards – gifts are always a bonus at a kids show . There is also the opportunity for some children to volunteer to go up on stage to help with the magic, and they are rewarded with a goody bag afterwards – also for sale at the end of the show.
Overall, Sam, Justin and Magnus are fantastic children’s entertainers, delivering magic tricks with a sense of humour which had all the children laughing and engaged throughout. I think the age suitability of 3 + is about right for this show as it is very energetic and stimulating for the senses.
My mini review said : “I liked when they turned the wee boys show into a clown show – I don’t know how they did that!”
(Written by Emma May)
Assembly
We were 110% ready for this…we LOVE LOVE LOVE the Listies and this show had us belly laughing from start to finish…
Exploring all things musical, from instruments to lullabies to an extraordinary audience filled orchestra featuring some unique skills…an hour always feels waaaaaay too short, we just want more! Matt and Rich have brought their chaotic antics back to the stage, and they weren’t the only ones making some noise – the entire audience were clearly having an incredible time, with a humungous amount of LOLing….our mini-reviewers were singing the infectious wacky armed song for hours afterwards which is the sign of a good time I think !!
Highlights included a most informative power point presentation, trumpet crumpets and the cutest baby from questionable origins owning the stage….we can’t wait to see it all again !
Our mini-reviewers said: ‘...I liked seeing Matt’s bum crack lots when he was a roadie!’… ‘I loved the powerpoint and when Matt said he had done it, but it said ‘no’ and 100% did not behind him, that was sooooooooooooooo funny’
Underbelly
We love the Revel Puck Circus….they are colourful, chaotic, relaxed and exhilerating- the Nose Dive Assembly blew us away, being all of these things and more !
At the heart of the show is Pierrot, the mischievous mistress of ceremonies, whose determined (and delightfully disastrous) attempts to fly had us in fits of laughter. Around her, the rest of the troupe deliver a masterclass in aerial and acrobatic artistry: giant swings soaring through the tent, daring teeterboard launches, a mesmerising double cyr wheel routine, and at one point the floor itself even takes to the skies ! The energy never dips, thanks to a perfectly pitched soundtrack that keeps the momentum high and the atmosphere electric. The grand finale, the Wheel of Death, is a showstopper, thrillingly unique, eliciting numerous gasps from the entire audience. It’s an extraordinary demonstration of trust, balance and nerve, and was definitely something we had never witnessed before!
This is contemporary circus at its most joyful, where the performers’ own delight is as infectious as their skill. Grab some popcorn, settle in, and prepare to be swept up in a world of heart, humour, and high-flying wonder.
Our mini-reviewer said : ‘It was irresistibly jaw dropping, the wheel of death sounded cool and was totally my favourite part’
The Remarkable Ben Hart (12+)
Assembly
If you’re after a magic show that’s less about top hats and more about bending your perception, The Remarkable Ben Hart is well worth the ticket. Performing in the atmospheric Palais du Variété, Hart delivers a bewitching blend of sleight of hand, mentalism, and raw charm. Each illusion’s final flourish is followed by a moment of stunned silence before the audience erupts into a chorus of gasps and wild applause.
Ben engages with members of the audience throughout the show, inviting them to touch and handle objects and shuffle cards to dispel any scepticism about his magical mastery. Several respond to his mind-bending magic with loud exclamations of shock and disbelief – “How did he do that?”. I’ve no idea, but I can’t wait to see what he does next.
Overall it a magnetic performance, aided in no small part by his magician’s intense stare and long slender fingers. The setting is perfect; the billowing walls of the tent and the rising and falling lamps adding to the theatricality.
Our (not so ) mini-reviewer said : ‘Ben Hart was awesome. Super quick, really funny, and his tricks were the perfect mix — not too easy, but not so crazy you’re totally lost. Just proper “wait… what?!” moments. I Felt like the show flew by, and he had everyone laughing and amazed the whole time. If you’re at the Fringe, definitely check him out!
Tom Brace Saws Himself In Half
Pleasance Dome
Tom Brace is back : and this time, he’s aiming for the Magic Hall of Fame with his most daring challenge yet: sawing himself in half..
This endearing and high-energy show takes audiences on a whirlwind journey through the history of magic, paying tribute to legendary magicians and the iconic illusions they are famous for. Tom has set his sights on joining their ranks, bringing his own brand of mayhem, mischief, and marvels to the stage as he embarks on this quest.
Packed with clever sleight of hand, ingenious deceptions, and brilliantly chaotic audience participation, this is an hour of pure fun. What truly sets the show apart is Tom’s natural charisma; his quick wit ensures that adults are entertained, without ever straying from family-friendly territory.
The show’s finale is both memorable and extravagant (yes, the costume is something else), wrapping up this this smart and silly show which is full of surprises. As one of our mini-reviewers put it, it’s “excitingly confusing” , and we couldn’t agree more !
My mini-reviewers said : ‘I liked the lottery numbers – that was amazing – how did he know ? ‘
‘The ring bit was incredible….that confused me !’
Pleasance
A lovely gentle immersive environment for the littlest of theatre goers.
toooB was a simple concept well executed. The visual storytelling was engaging and clear, and the older little ones followed the narrative of toooB exploring, dancing, munching, throwing-up and ultimately, the moment of wonder when the performer shed her tube and emerged into the space. My tiny reviewer (let’s call him Boyo- 7.5 months old) was mesmerized throughout the 25 minutes of performance and 20 mins of play after, where the kids got to explore the space and the props, many shiny balls, lights and of course, toooBs.
The performer did well during the play to interact wordlessly with the little ones at their level, without ever being too much, which helped boyo to feel confident enough to venture a little further from me (backwards, we’ve not mastered forwards yet).
For me, it was a great start to the day, and to the Fringe. With so many awful things going on in the world, spending a little time in a beautiful space with someone who has clearly put love and care into making a creative experience for tiny people is a special thing. Weirdly, it made me a little teary.
Extra pros, pleasance courtyard has a kid zone play area, buggy park and baby change right next to the venue (also Phil, a very helpful staff member who went out of his way to fix boyo’s pram wheel when it broke on the cobbles!)
(Written by Debs Hahn)
Stockbridge Church
An excellent introduction to classical music for little people (and big people too!)
Recitals for Wrigglers have been going for a while (11 years they told me) doing exactly what it says on the tin, classical music recitals in a relaxed environment where babies and toddlers can roam free.
Neither me nor Boyo (8 months) know much about classical music at all, but this genuinely made it accessible for both of us. The space at Stockbridge Church had a bright, airy feel with lots of natural light, and of course lots of space to wriggle. Louise (violin) and Clea (cello) played a number of short pieces and told us a little about each one, and at the end got instruments out for the babies to join in.
Boyo loved it. He really took the wriggling to heart, and despite only having mastered backwards movement he made his way all the way to the front and watched intently. It was great for me to see him so relaxed and engaged, and I enjoyed my mini dose of classical music too. I think my attention span is quite short, and it just was the right amount to keep me engaged (I liked the one about the train the best, perhaps I am a toddler at heart ? !).
All of the wrigglers (I would say ranging in age from 8 – 24 months) seemed to be appreciating the music. Definitely worth checking out.
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